SELF INSTRUCTION AMONGST CHINESE HIP-HOP MUSICIANS: REFLECTIONS ON INFORMAL MUSIC LEARNING IN CHINA

Academic studies of music education in the subject of hip-hop have grown over the last several decades due to the genre's growing appeal among young people worldwide.In the Chinese context, hip-hop music was developed only in the last few years.Although experts in a variety of ields such as educational and musical areas have begun to pay more attention to hip-hop music in the last ive years, there is almost no research on the learning patterns of hip-hop musicians in the Chinese context.This study examined the musical learning experiences of eight Chinese hip-hop musicians by using semi-structured interviews to understand more about their learning styles, learning pathways, and attitudes to school music instruction.Outcomes suggested that Chinese hip-hop performers predominantly learned music through informal music learning practices, including listening, imitation, individual practice, and independent composition.Additionally, the research identiied a positive and mutually reinforcing relationship between informal music education and music education in schools.Finally, the paper compares and evaluates the current indings with prior scholarship on informal music learning and school music education, and made recommendations for school music education and future academic research in the Chinese setting.

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Publication Details

Journal
Problems in Music Pedagogy
Published
2024-12-01
DOI
https://doi.org/10.59893/pmp.23(2).002
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
0.00
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article

SELF INSTRUCTION AMONGST CHINESE HIP-HOP MUSICIANS: REFLECTIONS ON INFORMAL MUSIC LEARNING IN CHINA

Problems in Music Pedagogy
Diverse Music Education Insights
article

SELF INSTRUCTION AMONGST CHINESE HIP-HOP MUSICIANS: REFLECTIONS ON INFORMAL MUSIC LEARNING IN CHINA

article en

Abstract

Academic studies of music education in the subject of hip-hop have grown over the last several decades due to the genre's growing appeal among young people worldwide.In the Chinese context, hip-hop music was developed only in the last few years.Although experts in a variety of ields such as educational and musical areas have begun to pay more attention to hip-hop music in the last ive years, there is almost no research on the learning patterns of hip-hop musicians in the Chinese context.This study examined the musical learning experiences of eight Chinese hip-hop musicians by using semi-structured interviews to understand more about their learning styles, learning pathways, and attitudes to school music instruction.Outcomes suggested that Chinese hip-hop performers predominantly learned music through informal music learning practices, including listening, imitation, individual practice, and independent composition.Additionally, the research identiied a positive and mutually reinforcing relationship between informal music education and music education in schools.Finally, the paper compares and evaluates the current indings with prior scholarship on informal music learning and school music education, and made recommendations for school music education and future academic research in the Chinese setting.

Problems in Music PedagogyVol. 23(2)
University of Sussex (GB)
Quality Education
Openalex Percentile: Top 33%
Diverse Music Education Insights
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SELF INSTRUCTION AMONGST CHINESE HIP-HOP MUSICIANS: REFLECTIONS ON INFORMAL MUSIC LEARNING IN CHINA · Problems in Music Pedagogy (2024) | TGRS Research Map | TGRS