Belonging to a land to come: Aesthetic experience, autochthony and social emancipation

This article aims to discuss the relations between aesthetic experience and social emancipation from the point of view of the problems concerning the production of autochthony. The main question is: how aesthetic experience can produce a land, a space and a people? The article focuses specially in some peripheral modernists strategies as we can find in the music of Bela Bartok. These strategies are object of comparative considerations with another peripheral modernism as we can see in Brazilian modernism.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-04-03
DOI
https://doi.org/10.5281/zenodo.15469925
Primary Topic
Arts and Performance Studies
Type
article
Field-Weighted Citation Impact
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article

Belonging to a land to come: Aesthetic experience, autochthony and social emancipation

Zenodo (CERN European Organization for Nuclear Research)
Arts and Performance Studies
article

Belonging to a land to come: Aesthetic experience, autochthony and social emancipation

article en

Abstract

This article aims to discuss the relations between aesthetic experience and social emancipation from the point of view of the problems concerning the production of autochthony. The main question is: how aesthetic experience can produce a land, a space and a people? The article focuses specially in some peripheral modernists strategies as we can find in the music of Bela Bartok. These strategies are object of comparative considerations with another peripheral modernism as we can see in Brazilian modernism.

Zenodo (CERN European Organization for Nuclear Research)
Universidade de São Paulo (BR)
Reduced inequalities
Openalex Percentile: Top 49%
Arts and Performance Studies
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Belonging to a land to come: Aesthetic experience, autochthony and social emancipation · Zenodo (CERN European Organization for Nuclear Research) (2025) | TGRS Research Map | TGRS