The End as Emptiness : A Transcultural Reflection on Architectural Practices

The logic of the tetralemma, as interpreted by the Japanese philosopher Yamauchi Tokuryū, integrates space as an in-between sphere in thinking. In his understanding, the tetralemma allows for a combination of four relational operations: one of identity, one of contradiction, the complementarity of both, and even the negation of this complementarity. I will examine the notion of the end in these four parameters, regarding the relevance of this reflection for the architectural practice and theory in inter- and transcultural terms. To that end, one example from contemporary and one from traditional Japanese architecture is discussed. Because of the philosophical context of Yamauchi’s research in the 1970s, his argumentation is compared to a critique on the metaphysical background of the idea of identity, by reflecting on conceptual contributions of Gilles Deleuze, Jacques Derrida, and Bernhard Waldenfels, to question the tetralemma in the horizon of differentiation.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2024-12-10
DOI
https://doi.org/10.5281/zenodo.14809194
Primary Topic
Architecture, Modernity, and Design
Type
article
Field-Weighted Citation Impact
0.00
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article

The End as Emptiness : A Transcultural Reflection on Architectural Practices

Zenodo (CERN European Organization for Nuclear Research)
Architecture, Modernity, and Design
article

The End as Emptiness : A Transcultural Reflection on Architectural Practices

article en

Abstract

The logic of the tetralemma, as interpreted by the Japanese philosopher Yamauchi Tokuryū, integrates space as an in-between sphere in thinking. In his understanding, the tetralemma allows for a combination of four relational operations: one of identity, one of contradiction, the complementarity of both, and even the negation of this complementarity. I will examine the notion of the end in these four parameters, regarding the relevance of this reflection for the architectural practice and theory in inter- and transcultural terms. To that end, one example from contemporary and one from traditional Japanese architecture is discussed. Because of the philosophical context of Yamauchi’s research in the 1970s, his argumentation is compared to a critique on the metaphysical background of the idea of identity, by reflecting on conceptual contributions of Gilles Deleuze, Jacques Derrida, and Bernhard Waldenfels, to question the tetralemma in the horizon of differentiation.

Zenodo (CERN European Organization for Nuclear Research)
LUCA School of Arts (BE)
Sustainable cities and communities
Openalex Percentile: Top 33%
Architecture, Modernity, and Design
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