Citizenship Question and the Hope of Ethnic Nationalities in Nigeria: A Reading of Emmy Idegus' Beloved Odolu Kingdom and Kwarapchan

This paper explores the complex relationship between citizenship and ethnic nationalities in Nigeria. It aims to shed light on the ongoing debate surrounding citizenship rights and ethnic representation in Nigeria. It analyses two contemporary Nigerian play texts Beloved Odolu Kingdom and Kwarapchan written by Emmy Idegu. The paper investigates how playwrights wrestle with issues of belonging, identity, and marginalisation within the context of a nation grappling with its own definition of citizenship. In the paper, the authors try to examine how these plays depict the experiences of ethnic minorities and their struggles for recognition within the Nigerian state. Through thematic analysis and key informant interview, the writers weave ideas that explore the tensions that are evident between national identity and ethnic affiliation as well as showcasing the ideas of the playwright in shaping the discourses on nationhood as they are constituted in the plays. The paper is anchored on the theory of humanism which celebrates the instrumentality of the human race in providing equilibrium to the planet, promoting concern for the welfare of human beings and encouraging citizens to do what is within their power to preserve life instead of destroying it. Ultimately, the research seeks to demonstrate the power of theatre as a tool for social commentary and a platform for national conversation. The paper concludes that true citizenship can be achieved in Nigeria when primordial sentiment and suspicions are jettisoned by patriotic leaders and followers.