The regulatory layout of the Porte Saint-Bernard - Paris, 1670 - by F. Blondel.

In Part 4 of his Lesson of Architecture, FranÁois Blondel sets out some of the fundamentals of the Art of the Ancients - which his most fervent supporters, such as CharlesEtienne Briseux, would illustrate forcefully - on the occasion of the restoration of monumental gates in Paris during the reign of Louis XIV: on the former route of Charles V's fortified walls, Louis XIV also had the Porte Saint-Bernard restored in 1670. F. Blondel's masterly presentation shows the extent to which the quest for harmony between the whole and its parts has reached an unequalled degree of perfection in terms of order, regularity and symmetry. All the more so as the architect had to retain the walls and pavilion of the old gateway, forcing him ‘to take different measurements from those that would otherwise have been taken. And to tell the truth, it took some thought to come up with something that would give the desired comfort, and whose ordinance was not to be despised’. It is this adaptability that is interesting and shows how this very classical approach is anything but rigid... The aim of this paper is to reveal the main geometric principles that the architect chose to create an harmonious building, according to the standards of the 'Ancients'...

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2024-11-03
DOI
https://doi.org/10.5281/zenodo.14030881
Primary Topic
Architecture and Art History Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

The regulatory layout of the Porte Saint-Bernard - Paris, 1670 - by F. Blondel.

Zenodo (CERN European Organization for Nuclear Research)
Architecture and Art History Studies
article

The regulatory layout of the Porte Saint-Bernard - Paris, 1670 - by F. Blondel.

article en

Abstract

In Part 4 of his Lesson of Architecture, FranÁois Blondel sets out some of the fundamentals of the Art of the Ancients - which his most fervent supporters, such as CharlesEtienne Briseux, would illustrate forcefully - on the occasion of the restoration of monumental gates in Paris during the reign of Louis XIV: on the former route of Charles V's fortified walls, Louis XIV also had the Porte Saint-Bernard restored in 1670. F. Blondel's masterly presentation shows the extent to which the quest for harmony between the whole and its parts has reached an unequalled degree of perfection in terms of order, regularity and symmetry. All the more so as the architect had to retain the walls and pavilion of the old gateway, forcing him ‘to take different measurements from those that would otherwise have been taken. And to tell the truth, it took some thought to come up with something that would give the desired comfort, and whose ordinance was not to be despised’. It is this adaptability that is interesting and shows how this very classical approach is anything but rigid... The aim of this paper is to reveal the main geometric principles that the architect chose to create an harmonious building, according to the standards of the 'Ancients'...

Zenodo (CERN European Organization for Nuclear Research)
Sustainable cities and communities
Openalex Percentile: Top 31%
Architecture and Art History Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.