Conspicuous Consumption in the Prairie House: A Veblenian Reading of Frank Lloyd Wright’s Highbacked Dining Chair

Abstract Recent scholarship in the history of modern interior design has moved beyond the rhetoric of the avant-garde to recognize the enduring importance of style as an expression of social identity and taste as a mediator between design and broader cultural trends. This shift highlights the complex interplay between aesthetic choices and socio-cultural dynamics. As a case study of this interplay, this paper employs a Veblenian perspective—based on the work of economist Thorstein Veblen, notably his 1899 book The Theory of the Leisure Class—to reexamine one of the most iconic examples of modern furniture: Frank Lloyd Wright’s highbacked dining chair. Specifically, the paper explores the role of Wright’s chair in the context of the formal dining room of one of Wright’s largest Prairie-style houses, the Susan Lawrence Dana House in Springfield, Illinois, completed in 1903. Shifting focus from the production to the consumption of furniture, the paper investigates how Wright’s dining chairs defined the relationship between what Veblen called the “leisure” and “laboring” classes within this domestic realm. Viewed in situ, Wright’s iconic chair reveals a dichotomy deeply embedded within its design. While it was an advertisement for advanced industrial production, it also served as a luxury item created to fulfill the imperative of conspicuous consumption.