Elemental Venice. Immagini, media, ambienti e derive. Editoriale di Engramma 220

This issue explores the notion of elemental media in the Venetian context. Spanning from painting to cinema, and from photography to installations, the eleven contributions engage primarily with John Duram Peters’ notion of elemental media and with Richard Grusin’s theory of radical mediation. Together, these methodological perspectives foreground the possibility of a new framework to consider the interrelation between media and place, as well as between the material elements that constitute all media.

Publication Details

Journal
AirIuav (Università Iuav di Venezia)
Published
2025-01-01
DOI
https://doi.org/10.25432/1826-901x/2025.220.0001
Primary Topic
Historical and Environmental Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Elemental Venice. Immagini, media, ambienti e derive. Editoriale di Engramma 220

AirIuav (Università Iuav di Venezia)
Historical and Environmental Studies
article

Elemental Venice. Immagini, media, ambienti e derive. Editoriale di Engramma 220

article en

Abstract

This issue explores the notion of elemental media in the Venetian context. Spanning from painting to cinema, and from photography to installations, the eleven contributions engage primarily with John Duram Peters’ notion of elemental media and with Richard Grusin’s theory of radical mediation. Together, these methodological perspectives foreground the possibility of a new framework to consider the interrelation between media and place, as well as between the material elements that constitute all media.

AirIuav (Università Iuav di Venezia)
Reduced inequalities
Openalex Percentile: Top 42%
Historical and Environmental Studies
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Elemental Venice. Immagini, media, ambienti e derive. Editoriale di Engramma 220 · AirIuav (Università Iuav di Venezia) (2025) | TGRS Research Map | TGRS