The depiction of the human figure in lacquer miniature painting involves the stylization of form while considering plastic anatomy

The article examines the stylistic features of depicting human figures in Russian lacquer miniatures – Fedoskino, Mstyora, Palekh and Kholuy. It explores the artistic language of these lacquer miniature traditions, analyzing their degree of realism and anatomical accuracy, as well as changes in proportions and preservation of anatomical structure during transformations of human figure representations. Through specific examples, the author demonstrates that the stylization of human figures has an anatomical basis. The conclusion emphasizes the necessity for future lacquer miniature artists to study plastic anatomy due to the specifics of their creative work