What Time are the Samurai? Debating Japanese Warrior Culture in Britain in the Fascist Twentieth Century

This article examines perceptions of the samurai and bushido in twentieth-century Britain. It does so by focusing on four key moments: Japan’s victory in the Russo-Japanese War (1905); the seppuku of General Nogi Maresuke (1912); Japan’s escalating militarism in the 1930s and 1940s; and the seppuku of novelist Mishima Yukio (1970). I explore the discursive variations across these four moments to demonstrate that British attitudes towards the samurai cannot be understood without situating them in the shifting geopolitical and ideological context of the global twentieth century. More specifically, the article highlights the centrality of questions of temporality. I show how British politicians and intellectuals at the beginning of the century associated the samurai and bushido not with medieval Japan, but with a utopian, progressive vision of the future (i.e. an “alternative modernity”). Japan’s escalating militarism subsequently generated other interpretations, including the idea of bushido as a cause of Japanese atavism. But across these shifting British debates, one consistent objective in reflecting on Japanese warrior culture was to articulate explanations and predictions for the behavior of modern Japan as an international actor. Such discussions consequently also became opportunities for British elites to affirm or denounce particular visions of socio-political order. Britain’s preoccupation with the samurai, then, amounted to much more than a timeless exoticist fascination with an Oriental culture. To debate the figure of the samurai was to evaluate the promise and limits of alternative modernities beyond the liberal Western model represented by Britain.

Publication Details

Journal
Apollo (University of Cambridge)
Published
2025-05-16
DOI
https://doi.org/10.17863/cam.118275
Primary Topic
Japanese History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

What Time are the Samurai? Debating Japanese Warrior Culture in Britain in the Fascist Twentieth Century

Apollo (University of Cambridge)
Japanese History and Culture
article

What Time are the Samurai? Debating Japanese Warrior Culture in Britain in the Fascist Twentieth Century

article en

Abstract

This article examines perceptions of the samurai and bushido in twentieth-century Britain. It does so by focusing on four key moments: Japan’s victory in the Russo-Japanese War (1905); the seppuku of General Nogi Maresuke (1912); Japan’s escalating militarism in the 1930s and 1940s; and the seppuku of novelist Mishima Yukio (1970). I explore the discursive variations across these four moments to demonstrate that British attitudes towards the samurai cannot be understood without situating them in the shifting geopolitical and ideological context of the global twentieth century. More specifically, the article highlights the centrality of questions of temporality. I show how British politicians and intellectuals at the beginning of the century associated the samurai and bushido not with medieval Japan, but with a utopian, progressive vision of the future (i.e. an “alternative modernity”). Japan’s escalating militarism subsequently generated other interpretations, including the idea of bushido as a cause of Japanese atavism. But across these shifting British debates, one consistent objective in reflecting on Japanese warrior culture was to articulate explanations and predictions for the behavior of modern Japan as an international actor. Such discussions consequently also became opportunities for British elites to affirm or denounce particular visions of socio-political order. Britain’s preoccupation with the samurai, then, amounted to much more than a timeless exoticist fascination with an Oriental culture. To debate the figure of the samurai was to evaluate the promise and limits of alternative modernities beyond the liberal Western model represented by Britain.

Apollo (University of Cambridge)
Openalex Percentile: Top 44%
Japanese History and Culture
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