Zen Violence

Rinzai Zen priest Nantenbō Tōjū (1839–1925), an important figure in modern Japanese Buddhism, was also a prominent calligrapher. His eccentric large-scale works inspired avant-garde artists of the Gutai and Bokujinkai groups and reverberated globally in postwar abstract art. Known for his close ties with the Meiji military, particularly General Nogi Maresuke (1849–1912), Nantenbō promoted the values of “Imperial-Way Zen.” This article shows how Nantenbō’s calligraphy, which channeled the militarist ideology of the Japanese Empire, fed into the postwar avant-garde and complicated Zen’s role in the politically charged art of the cultural cold war.

Publication Details

Journal
Journal of Japanese Studies
Published
2025-01-01
DOI
https://doi.org/10.1525/jjs.2025.51.1.1
Primary Topic
Japanese History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Zen Violence

Journal of Japanese Studies
Japanese History and Culture
article

Zen Violence

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Abstract

Rinzai Zen priest Nantenbō Tōjū (1839–1925), an important figure in modern Japanese Buddhism, was also a prominent calligrapher. His eccentric large-scale works inspired avant-garde artists of the Gutai and Bokujinkai groups and reverberated globally in postwar abstract art. Known for his close ties with the Meiji military, particularly General Nogi Maresuke (1849–1912), Nantenbō promoted the values of “Imperial-Way Zen.” This article shows how Nantenbō’s calligraphy, which channeled the militarist ideology of the Japanese Empire, fed into the postwar avant-garde and complicated Zen’s role in the politically charged art of the cultural cold war.

Journal of Japanese StudiesVol. 51(1)
Peace, Justice and strong institutions
Openalex Percentile: Top 44%
Japanese History and Culture
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Zen Violence · Journal of Japanese Studies (2025) | TGRS Research Map | TGRS