The last jeweler : craft, culture, community

Bhakurta, a historic jewelry-making village just outside Dhaka, is home to generations of jewelers whose skills have been passed down through cultural practices and kinship. Rooted in centuries-old tradition, the village was once known for its goldsmiths. However today the artisans find themselves being edged out of the market. They have been forced to shift to silver and then eventually to brass and bronze due to rising costs within a rapidly modernizing market. The project responds to the loss of culture and heritage. It begins with the recognition that the craft in Bhakurta is not merely the livelihood of the artisans, but their way of life. The spatial and social conditions that support it - workshops tucked behind stores, markets spilling into fields, verandas as work spaces - are all informal, resilient and under threat. Through a series of small interventions, the project introduces a cultural trail that links all the interventions. These are not meant to be monuments, but open frameworks that are designed to shift with seasons, festivals, and community needs. At its core, this project proposes that preservation is not about holding still. It is about designing space for movement, adaptation, agency, and the quiet continuity of the craft.

Publication Details

Journal
Open Collections
Published
2025-01-01
DOI
https://doi.org/10.14288/1.0448810
Primary Topic
Genetic Mapping and Diversity in Plants and Animals
Type
article
Field-Weighted Citation Impact
0.00
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article

The last jeweler : craft, culture, community

Open Collections
Genetic Mapping and Diversity in Plants and Animals
article

The last jeweler : craft, culture, community

article en

Abstract

Bhakurta, a historic jewelry-making village just outside Dhaka, is home to generations of jewelers whose skills have been passed down through cultural practices and kinship. Rooted in centuries-old tradition, the village was once known for its goldsmiths. However today the artisans find themselves being edged out of the market. They have been forced to shift to silver and then eventually to brass and bronze due to rising costs within a rapidly modernizing market. The project responds to the loss of culture and heritage. It begins with the recognition that the craft in Bhakurta is not merely the livelihood of the artisans, but their way of life. The spatial and social conditions that support it - workshops tucked behind stores, markets spilling into fields, verandas as work spaces - are all informal, resilient and under threat. Through a series of small interventions, the project introduces a cultural trail that links all the interventions. These are not meant to be monuments, but open frameworks that are designed to shift with seasons, festivals, and community needs. At its core, this project proposes that preservation is not about holding still. It is about designing space for movement, adaptation, agency, and the quiet continuity of the craft.

Open Collections
Sustainable cities and communities
Openalex Percentile: Top 42%
Genetic Mapping and Diversity in Plants and Animals
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The last jeweler : craft, culture, community · Open Collections (2025) | TGRS Research Map | TGRS