Exhibition proposal for victim or villain: Medea in the nineteenth century

Medea is a character from Greek and Roman mythology who has captivated audiences for centuries because of her act of infanticide. However, in the nineteenth century, public opinion of her shifted from a cold-blooded killer into a merciful mother as she became a symbol for early feminist movements throughout Europe. Her changing reputation signaled change as women’s rights movements were growing within countries such as England, France, and Germany. Although feminist efforts were non-linear and continually met with opposition, the foundations of these efforts were laid in the second half of the nineteenth century. This exhibition proposal analyzes the evolution of Medea portrayed in a sympathetic approach as she appears in nineteenth century theatrical productions and visual arts. Through theatre memorabilia, painting, and sculpture, this exhibition will demonstrate the complex network of legal and social changes in certain areas of Europe in order to better understand the varying meanings and interpretations of Medea. Victim or Villain: Medea in the Nineteenth Century asks viewers to reconsider the established notion of Medea as a villain and see her through the eyes of nineteenth-century audiences. This proposal outlines the exhibition parameters and resources necessary for creating an environment that situates the visitor in the context of the nineteenth century as it examines the perceptions about Medea and the receptive attitudes felt towards her as social movements progressed.