"Fatal Women" and the Critique of Consumerism in Lady Gaga's Music Video Telephone

This paper examines Lady Gaga’s 2010 music video Telephone as its primary subject, analyzing its audiovisual narrative structure and focusing on the prominent "fatal woman" (femme fatale) archetype as a central rhetorical device. It also explores the video’s critique of American consumerism. The study seeks to elucidate how Lady Gaga employs a subversive stance to challenge the intertwined systems of patriarchy and capitalism through her work, revealing her intent to disrupt gender norms and consumer culture within the realm of popular culture.

Publication Details

Journal
Figshare
Published
2025-01-01
DOI
https://doi.org/10.6084/m9.figshare.29253449.v1
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

"Fatal Women" and the Critique of Consumerism in Lady Gaga's Music Video Telephone

Figshare
Gender, Feminism, and Media
article

"Fatal Women" and the Critique of Consumerism in Lady Gaga's Music Video Telephone

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Abstract

This paper examines Lady Gaga’s 2010 music video Telephone as its primary subject, analyzing its audiovisual narrative structure and focusing on the prominent "fatal woman" (femme fatale) archetype as a central rhetorical device. It also explores the video’s critique of American consumerism. The study seeks to elucidate how Lady Gaga employs a subversive stance to challenge the intertwined systems of patriarchy and capitalism through her work, revealing her intent to disrupt gender norms and consumer culture within the realm of popular culture.

Figshare
Gender equality
Openalex Percentile: Top 43%
Gender, Feminism, and Media
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"Fatal Women" and the Critique of Consumerism in Lady Gaga's Music Video Telephone · Figshare (2025) | TGRS Research Map | TGRS