J. M. Coetzee's Foe: Revision of 'imperial/ colonial dominance'

<p>This paper examines J. M. Coetzee’s novel Foe (1986)<br>as a typical revisionary text written back to Daniel<br>Defoe’s eighteenth-century classic Robinson Crusoe<br>(1719). It applies a theoretical approach to get into the<br>technicalities and strategies of ‘Revisionary writing’,<br>an emerging sub-genre, and shows Coetzee’s success<br>in writing the classic of its own. How Coetzee breaks<br>Defoe’s textual/literary discourse while entering into a<br>thorough critical dialogue and shapes a ‘canonical<br>counter-discourse’, is the central thesis of this study.<br>An attempt is made to expatiate how Coetzee uses<br>‘intertextuality’ as a tool to destabilize Defoe’s<br>master-narrative and expose it as a colonial/imperial<br>text constructing the myth of the ‘orient’. Coetzee’s<br>artistic dexterity in foregrounding marginalized<br>voice/s is focused and analysed at length. </p>

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2024-08-12
DOI
https://doi.org/10.53413/ijtell.2021.2416
Primary Topic
South African History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

J. M. Coetzee's Foe: Revision of 'imperial/ colonial dominance'

Zenodo (CERN European Organization for Nuclear Research)
South African History and Culture
article

J. M. Coetzee's Foe: Revision of 'imperial/ colonial dominance'

article en

Abstract

<p>This paper examines J. M. Coetzee’s novel Foe (1986)<br>as a typical revisionary text written back to Daniel<br>Defoe’s eighteenth-century classic Robinson Crusoe<br>(1719). It applies a theoretical approach to get into the<br>technicalities and strategies of ‘Revisionary writing’,<br>an emerging sub-genre, and shows Coetzee’s success<br>in writing the classic of its own. How Coetzee breaks<br>Defoe’s textual/literary discourse while entering into a<br>thorough critical dialogue and shapes a ‘canonical<br>counter-discourse’, is the central thesis of this study.<br>An attempt is made to expatiate how Coetzee uses<br>‘intertextuality’ as a tool to destabilize Defoe’s<br>master-narrative and expose it as a colonial/imperial<br>text constructing the myth of the ‘orient’. Coetzee’s<br>artistic dexterity in foregrounding marginalized<br>voice/s is focused and analysed at length. </p>

Zenodo (CERN European Organization for Nuclear Research)
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Openalex Percentile: Top 37%
South African History and Culture
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J. M. Coetzee's Foe: Revision of 'imperial/ colonial dominance' · Zenodo (CERN European Organization for Nuclear Research) (2024) | TGRS Research Map | TGRS