In limine. Il caso Moro, la Storia, l'immaginario

The article examines Marco Bellocchio’s Buongiorno, notte (2003) and Esterno notte (2022), exploring the representation of Aldo Moro’s kidnapping and murder. Particular attention is given to the relationship between cinema and literary writings, through comparisons with Moro’s memorial and letters, Leonardo Sciascia’s reflections, and narrative insights from Italo Calvino. The study investigates the role of representation in shaping historical understanding and collective memory.

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2024-12-30
DOI
https://doi.org/10.5281/zenodo.15109687
Primary Topic
Italian Fascism and Post-war Society
Type
article
Field-Weighted Citation Impact
0.00
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article

In limine. Il caso Moro, la Storia, l'immaginario

Zenodo (CERN European Organization for Nuclear Research)
Italian Fascism and Post-war Society
article

In limine. Il caso Moro, la Storia, l'immaginario

article en

Abstract

The article examines Marco Bellocchio’s Buongiorno, notte (2003) and Esterno notte (2022), exploring the representation of Aldo Moro’s kidnapping and murder. Particular attention is given to the relationship between cinema and literary writings, through comparisons with Moro’s memorial and letters, Leonardo Sciascia’s reflections, and narrative insights from Italo Calvino. The study investigates the role of representation in shaping historical understanding and collective memory.

Zenodo (CERN European Organization for Nuclear Research)
Openalex Percentile: Top 37%
Italian Fascism and Post-war Society
DOIOpen Access PDFOpenAlex
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In limine. Il caso Moro, la Storia, l'immaginario · Zenodo (CERN European Organization for Nuclear Research) (2024) | TGRS Research Map | TGRS