THE TRADITION OF DANSE MACABRE AND THE WORKS BY M.YU. LERMONTOV

The article studies the transformation of a particularly important plot of the European culture in the texts by M.Yu. Lermontov. It is stated that the Russian poet appeals to the problematics and stylistics of the ‘religious’ Danse Macabre in a number of his works following the European Romanticists. A series of his poems written in 1830 reveals direct plot and view-of-the-world references to the popular macabre text of the 14 -15th centuries ‘The Argument of Body and Soul’. It is demonstrated that Lermontov also develops the tradition of the ‘secular’ Danse Macabre, in the first place, with the help of the concept of ‘the living dead’.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-04-02
DOI
https://doi.org/10.5281/zenodo.15118726
Primary Topic
Historical and Modern Theater Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

THE TRADITION OF DANSE MACABRE AND THE WORKS BY M.YU. LERMONTOV

Zenodo (CERN European Organization for Nuclear Research)
Historical and Modern Theater Studies
article

THE TRADITION OF DANSE MACABRE AND THE WORKS BY M.YU. LERMONTOV

article en

Abstract

The article studies the transformation of a particularly important plot of the European culture in the texts by M.Yu. Lermontov. It is stated that the Russian poet appeals to the problematics and stylistics of the ‘religious’ Danse Macabre in a number of his works following the European Romanticists. A series of his poems written in 1830 reveals direct plot and view-of-the-world references to the popular macabre text of the 14 -15th centuries ‘The Argument of Body and Soul’. It is demonstrated that Lermontov also develops the tradition of the ‘secular’ Danse Macabre, in the first place, with the help of the concept of ‘the living dead’.

Zenodo (CERN European Organization for Nuclear Research)
New York State Museum (US)
Openalex Percentile: Top 42%
Historical and Modern Theater Studies
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