Echo Chamber

Echo Chamber is a participatory sound installation using MusicGen's audio generative AI. Participants play a short melody on a piano, which is then used as a reference for MusicGen to generate multiple versions of itself. These evolving echoes of the original are played back through a multi-channel speaker installation. The work alludes to concerns about generative AI creating a monoculture through a feedback cycle of data scraping, copying and regenerating. By deliberately engaging with (and simultaneously serving as a critique of) MusicGen's innate tendency to stay within predictable melodic and harmonic structures, we can layer and loop multiple versions of the AI-generated audio while staying musically coherent. The layering of multiple samples also allows us to produce a real-time participatory work despite the time required for the AI generations (which currently take longer to generate than the length of the audio samples generated). A piano was chosen as the interface through which an audio reference is created by participants, as it plays on the familiarity and ubiquity of the instrument, which has become both a symbol and a tool of colonisation. Not only has the keyboard become a dominant interface for music-making, the equal-tempered scale has become pervasive across the globe in most popular music cultures, relegating other modes and scales to the fringe – a pattern repeated by generative AI amplifying what is already amplified.

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-03-14
DOI
https://doi.org/10.5281/zenodo.15027149
Primary Topic
Music Technology and Sound Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Echo Chamber

Zenodo (CERN European Organization for Nuclear Research)
Music Technology and Sound Studies
article

Echo Chamber

article en

Abstract

Echo Chamber is a participatory sound installation using MusicGen's audio generative AI. Participants play a short melody on a piano, which is then used as a reference for MusicGen to generate multiple versions of itself. These evolving echoes of the original are played back through a multi-channel speaker installation. The work alludes to concerns about generative AI creating a monoculture through a feedback cycle of data scraping, copying and regenerating. By deliberately engaging with (and simultaneously serving as a critique of) MusicGen's innate tendency to stay within predictable melodic and harmonic structures, we can layer and loop multiple versions of the AI-generated audio while staying musically coherent. The layering of multiple samples also allows us to produce a real-time participatory work despite the time required for the AI generations (which currently take longer to generate than the length of the audio samples generated). A piano was chosen as the interface through which an audio reference is created by participants, as it plays on the familiarity and ubiquity of the instrument, which has become both a symbol and a tool of colonisation. Not only has the keyboard become a dominant interface for music-making, the equal-tempered scale has become pervasive across the globe in most popular music cultures, relegating other modes and scales to the fringe – a pattern repeated by generative AI amplifying what is already amplified.

Zenodo (CERN European Organization for Nuclear Research)
Reduced inequalities
Openalex Percentile: Top 52%
Music Technology and Sound Studies
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