LINGUOPOETICS IN ELIZABETH BISHOP'S POETRY: A STUDY OF LANGUAGE, SOUND, AND MEANING

In this article, Elizabeth Bishop’s poetry is characterized by meticulous linguistic precision, vivid imagery, and a keen sense of sound and rhythm, making it a fascinating subject for linguopoetic analysis. This paper explores how Bishop employs linguistic devices such as phonetic repetition, syntactic variation, and metaphorical layering to create multi-dimensional meanings in her poems. By examining key works like "The Fish," "One Art," and "Sestina," the study uncovers how her deliberate linguistic choices enhance the emotional depth and thematic resonance of her poetry. Additionally, this paper situates Bishop’s work within the broader field of linguopoetics, emphasizing the interplay between language form and poetic function. The findings demonstrate that Bishop’s poetry exemplifies the symbiotic relationship between linguistic structure and aesthetic effect, making her work a prime example of how language shapes literary experience.