Subverting Caste and Gender: Resistance and Voice in Meena Kandasamy's When I Hit You and The Gypsy Goddess

This research article explores the powerful literary interventions of Meena Kandasamy, an Indian writer and activist whose work interrogates the complex intersections of caste, gender, and resistance. Focusing on her novels When I Hit You: Or, A Portrait of the Writer as a Young Wife and The Gypsy Goddess, the study analyzes how Kandasamy deploys narrative voice and form to challenge systemic structures of patriarchy and caste-based oppression. Drawing on feminist and postcolonial theoretical frameworks, this paper discusses how her protagonists resist cultural silencing, expose institutional violence, and reclaim agency through writing. The article argues that Kandasamy's writing represents a dynamic form of protest literature that not only critiques dominant power structures but also reclaims the voice of the subaltern woman.

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-05-14
DOI
https://doi.org/10.5281/zenodo.15408142
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Subverting Caste and Gender: Resistance and Voice in Meena Kandasamy's When I Hit You and The Gypsy Goddess

Zenodo (CERN European Organization for Nuclear Research)
South Asian Cinema and Culture
article

Subverting Caste and Gender: Resistance and Voice in Meena Kandasamy's When I Hit You and The Gypsy Goddess

article en

Abstract

This research article explores the powerful literary interventions of Meena Kandasamy, an Indian writer and activist whose work interrogates the complex intersections of caste, gender, and resistance. Focusing on her novels When I Hit You: Or, A Portrait of the Writer as a Young Wife and The Gypsy Goddess, the study analyzes how Kandasamy deploys narrative voice and form to challenge systemic structures of patriarchy and caste-based oppression. Drawing on feminist and postcolonial theoretical frameworks, this paper discusses how her protagonists resist cultural silencing, expose institutional violence, and reclaim agency through writing. The article argues that Kandasamy's writing represents a dynamic form of protest literature that not only critiques dominant power structures but also reclaims the voice of the subaltern woman.

Zenodo (CERN European Organization for Nuclear Research)
Gender equality
Openalex Percentile: Top 52%
South Asian Cinema and Culture
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