Echoes of Black and White in the City: Digital Photography and the Visual Construction of Urban Memory

This article examines the role of black-and-white photography in the visual construction of urban memory, aesthetics, and socio-spatial transformations, with a particular focus on contemporary digital interventions. The study situates black-and-white photography within an interdisciplinary framework, drawing from theories in sociology, urban studies, and visual culture. Key theoretical perspectives, including Henri Cartier-Bresson’s decisive moment, Walter Benjamin’s aura, and Roland Barthes’ punctum, provide critical lenses for analyzing photography’s ability to distill urban temporality and evoke emotional engagement. Additionally, Zygmunt Bauman’s concept of liquid modernity offers insights into the transient nature of urban life and its photographic representation. The article further explores the impact of digital technologies such as artificial intelligence (AI), augmented reality (AR), and virtual reality (VR) on black-and-white urban photography, positioning these advancements as both an extension and redefinition of traditional photographic practice. The integration of algorithmic processing, high dynamic range (HDR) imaging, and NFTs has altered the economic and aesthetic paradigms of photography, expanding accessibility while challenging conventional notions of authenticity and artistic value. By examining these intersections of historical theory and emerging technological frameworks, this study underscores black-and-white photography’s enduring relevance in contemporary urban discourse. Ultimately, the article argues that black-and-white photography remains a potent medium for interrogating the complexities of urban existence, offering a bridge between past and present, analog and digital, tradition and innovation. Keywords: Black-and-white photography, Urban memory, Digital aesthetics, Photographic theory, Augmented reality photography