When Creativity Meets Spirituality: Unveiling the Rock Engravings of Bhagalpur, Bihar

In ancient Indian culture, religion and creativity were deeply intertwined, with cultural expressions rarely existing independent of religious influence. Rock engravings, the focus of this study, represent a fascinating and thought-provoking aspect of this cultural synergy. These engravings are typically found on the surfaces of hillocks or scattered rocks and often reflect religious themes. The two primary sites examined in this study, Dhol Pahari and Gauri Pahari, are particularly rich in such engravings, most of which are closely tied to religious beliefs and practices. While a few engravings may appear less explicitly religious, they cannot be entirely divorced from the pervasive influence of faith. This article seeks to present a comprehensive analysis of these creative expressions, highlighting their gradual evolution and assimilation into the religious landscape of ancient India. Key Words: Bhagalpur, Gauripur, Dholpahari, Engraving, Religious, Creativity.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2024-12-20
DOI
https://doi.org/10.5281/zenodo.15533107
Primary Topic
Indian and Buddhist Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

When Creativity Meets Spirituality: Unveiling the Rock Engravings of Bhagalpur, Bihar

Zenodo (CERN European Organization for Nuclear Research)
Indian and Buddhist Studies
article

When Creativity Meets Spirituality: Unveiling the Rock Engravings of Bhagalpur, Bihar

article en

Abstract

In ancient Indian culture, religion and creativity were deeply intertwined, with cultural expressions rarely existing independent of religious influence. Rock engravings, the focus of this study, represent a fascinating and thought-provoking aspect of this cultural synergy. These engravings are typically found on the surfaces of hillocks or scattered rocks and often reflect religious themes. The two primary sites examined in this study, Dhol Pahari and Gauri Pahari, are particularly rich in such engravings, most of which are closely tied to religious beliefs and practices. While a few engravings may appear less explicitly religious, they cannot be entirely divorced from the pervasive influence of faith. This article seeks to present a comprehensive analysis of these creative expressions, highlighting their gradual evolution and assimilation into the religious landscape of ancient India. Key Words: Bhagalpur, Gauripur, Dholpahari, Engraving, Religious, Creativity.

Zenodo (CERN European Organization for Nuclear Research)
Maulana Abul Kalam Azad Institute of Asian Studies (IN), Maulana Abul Kalam Azad University of Technology, West Bengal (IN)
Openalex Percentile: Top 32%
Indian and Buddhist Studies
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