Manifestations of Sacred Art in Yarasan Religion

From ancient times, art has been a tangible expression of our deepest beliefs, reflecting human spirituality and identity, often intertwined with religion. Sacred art transcends mere emotional responses, using simplicity and essentialism to hint at the ineffable. It mirrors a higher reality, symbolizing the divine in earthly forms and inviting contemplation beyond the material world. Through allegory, sacred art reconnects with the essence of creation, revealing the symbolic nature of existence and freeing the human spirit from worldly attachments. This study, employs library research and a descriptive-analytical approach with an intertextual perspective to explore the roots of sacred art in the Yaresan region, focusing on traditionalist views, particularly those of Seyyed Hossein Nasr. In Yaresan sacred practice, Sema and music play central roles. Sema involves a collective circular dance during the "jam" ceremony, accompanied by prayers and music. Music serves as a channel for conveying spiritual truths, with the tanbur as the primary instrument in both Sema and other religious rituals.

Publication Details

Journal
SHILAP Revista de lepidopterología
Published
2024-09-01
DOI
https://doi.org/10.22034/jokl.2023.139238.1313
Primary Topic
Cultural and Religious Practices in Indonesia
Type
article
Field-Weighted Citation Impact
0.00
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article

Manifestations of Sacred Art in Yarasan Religion

SHILAP Revista de lepidopterología
Cultural and Religious Practices in Indonesia
article

Manifestations of Sacred Art in Yarasan Religion

article en

Abstract

From ancient times, art has been a tangible expression of our deepest beliefs, reflecting human spirituality and identity, often intertwined with religion. Sacred art transcends mere emotional responses, using simplicity and essentialism to hint at the ineffable. It mirrors a higher reality, symbolizing the divine in earthly forms and inviting contemplation beyond the material world. Through allegory, sacred art reconnects with the essence of creation, revealing the symbolic nature of existence and freeing the human spirit from worldly attachments. This study, employs library research and a descriptive-analytical approach with an intertextual perspective to explore the roots of sacred art in the Yaresan region, focusing on traditionalist views, particularly those of Seyyed Hossein Nasr. In Yaresan sacred practice, Sema and music play central roles. Sema involves a collective circular dance during the "jam" ceremony, accompanied by prayers and music. Music serves as a channel for conveying spiritual truths, with the tanbur as the primary instrument in both Sema and other religious rituals.

SHILAP Revista de lepidopterología
Peace, Justice and strong institutions
Openalex Percentile: Top 34%
Cultural and Religious Practices in Indonesia
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Manifestations of Sacred Art in Yarasan Religion · SHILAP Revista de lepidopterología (2024) | TGRS Research Map | TGRS