Charles Cournault’s Call for a ‘Persian Museum’ at the Louvre

In 1857, the French artist Charles Cournault published a plea for a French mission to Persepolis. The aimof the mission was to obtain examples of relief sculpture, like those he had seen in the British Museum, for theLouvre Museum. Believing that Achaemenid art deserved as much attention as Assyrian, Greek and Roman art,Cournault urged the government to undertake the mission and felt certain that it would be aided by the efforts ofthe Iranian diplomat Farrokh Khan who was, at the time, in France. Franco-Iranian relations having never beenbetter, Cournault believed the time was right for a concerted effort to obtain diagnostic Persepolitan sculptures forthe purpose of educating the public. If France did not pursue this goal, he felt certain that other powers would doso. Cournault displayed a reverence for ancient Achaemenid art and sought to promote its qualities to an audienceaccustomed to viewing Greek, Roman and, more recently, Assyrian art as the greatest of all early human artistictraditions.

Publication Details

Journal
SHILAP Revista de lepidopterología
Published
2024-12-01
DOI
https://doi.org/10.22111/ijas.2024.50523.1327
Primary Topic
Legal and Social Philosophy
Type
article
Field-Weighted Citation Impact
0.00
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article

Charles Cournault’s Call for a ‘Persian Museum’ at the Louvre

SHILAP Revista de lepidopterología
Legal and Social Philosophy
article

Charles Cournault’s Call for a ‘Persian Museum’ at the Louvre

article en

Abstract

In 1857, the French artist Charles Cournault published a plea for a French mission to Persepolis. The aimof the mission was to obtain examples of relief sculpture, like those he had seen in the British Museum, for theLouvre Museum. Believing that Achaemenid art deserved as much attention as Assyrian, Greek and Roman art,Cournault urged the government to undertake the mission and felt certain that it would be aided by the efforts ofthe Iranian diplomat Farrokh Khan who was, at the time, in France. Franco-Iranian relations having never beenbetter, Cournault believed the time was right for a concerted effort to obtain diagnostic Persepolitan sculptures forthe purpose of educating the public. If France did not pursue this goal, he felt certain that other powers would doso. Cournault displayed a reverence for ancient Achaemenid art and sought to promote its qualities to an audienceaccustomed to viewing Greek, Roman and, more recently, Assyrian art as the greatest of all early human artistictraditions.

SHILAP Revista de lepidopterología
Openalex Percentile: Top 39%
Legal and Social Philosophy
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