Review: “Unless we realise, Unless we change, Unless we speak.....” Carol Shields: Unless. London: Fourth Estate, 2002.

In lieu of an abstract, here is the first paragraph of the review: Carol Shields' novel Unless is an investigation into the notion of goodness. It both illustrates the ways in which goodness is taken for granted as a feminine attribute and criticises this as being restrictive with the potential to oppress women and inhibit their development. Unless is also about language, voice and especially silence. Its critical perspective is very much a feminist one, but this does have to be sought after. It is not clear whether Shields intends to make her readers angry, which she does, or whether this is a byproduct of the frustration of recognition of the fact that her characters do indeed reflect many contemporary, middle-class, educated women's lives and readers may be forced into a self-reflection which can be uncomfortable.

Publication Details

Journal
Universitäts- und Stadtbibliothek Köln
Published
2024-11-12
DOI
https://doi.org/10.18716/ojs/gefo/2004.2867
Primary Topic
Short Stories in Global Literature
Type
article
Field-Weighted Citation Impact
0.00
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article

Review: “Unless we realise, Unless we change, Unless we speak.....” Carol Shields: Unless. London: Fourth Estate, 2002.

Universitäts- und Stadtbibliothek Köln
Short Stories in Global Literature
article

Review: “Unless we realise, Unless we change, Unless we speak.....” Carol Shields: Unless. London: Fourth Estate, 2002.

article en

Abstract

In lieu of an abstract, here is the first paragraph of the review: Carol Shields' novel Unless is an investigation into the notion of goodness. It both illustrates the ways in which goodness is taken for granted as a feminine attribute and criticises this as being restrictive with the potential to oppress women and inhibit their development. Unless is also about language, voice and especially silence. Its critical perspective is very much a feminist one, but this does have to be sought after. It is not clear whether Shields intends to make her readers angry, which she does, or whether this is a byproduct of the frustration of recognition of the fact that her characters do indeed reflect many contemporary, middle-class, educated women's lives and readers may be forced into a self-reflection which can be uncomfortable.

Universitäts- und Stadtbibliothek Köln
Gender equality
Openalex Percentile: Top 36%
Short Stories in Global Literature
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