Looking at Women Looking: Female Portraits in the Gender Crisis

In this paper I want to look at nineteenth century image culture to show a historical trajectory which gradually favoured increased observer participation. Going back into the historical development of specific images can delineate the evolution of the conditions of perceiving and codes of depicting to ultimately throw light on how these conditions correspond to subject positions and expose power relations. Ways of seeing and their concomitant constructions of spectatorship, the gaze and the glance, practices of viewing, observation and visual pleasure are constantly being reorganized. And because questions of perception and seeing reach into the constitution of identity, investigating vision and visual representation necessitates a central focus on how issues of gender, sexuality and power are inextricably connected (Pajaczkowska 1)