Beazley, Festival Ware, and the future of vase-painting studies

Séance autour de l’intervention d'Amy Smith (University of Reading) Vendredi 31 janvier 2025, 14h-16hParis, INHA (2 rue Vivienne, 75002 Paris), salle Walter BenjaminSéance hybride (lien sur demande) Two lekythoi attributed to the Manner of the Haimon Painter, c. 475 BCE. Reading, Ure Museum inv. 29.11.2–3 Despite criticism of connoisseurship, the Beazley method of attribution of vases to specific painters continues to dominate our understanding of Greek antiquity, as evidenced in museum labe...

Publication Details

Journal
Industrias Culturais (Universidade de Coimbra)
Published
2025-01-26
DOI
https://doi.org/10.58079/1360e
Primary Topic
Contemporary art, education, critique
Type
article
Field-Weighted Citation Impact
0.00
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article

Beazley, Festival Ware, and the future of vase-painting studies

Industrias Culturais (Universidade de Coimbra)
Contemporary art, education, critique
article

Beazley, Festival Ware, and the future of vase-painting studies

article en

Abstract

Séance autour de l’intervention d'Amy Smith (University of Reading) Vendredi 31 janvier 2025, 14h-16hParis, INHA (2 rue Vivienne, 75002 Paris), salle Walter BenjaminSéance hybride (lien sur demande) Two lekythoi attributed to the Manner of the Haimon Painter, c. 475 BCE. Reading, Ure Museum inv. 29.11.2–3 Despite criticism of connoisseurship, the Beazley method of attribution of vases to specific painters continues to dominate our understanding of Greek antiquity, as evidenced in museum labe...

Industrias Culturais (Universidade de Coimbra)
Openalex Percentile: Top 47%
Contemporary art, education, critique
DOIOpen Access PDFOpenAlex
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Beazley, Festival Ware, and the future of vase-painting studies · Industrias Culturais (Universidade de Coimbra) (2025) | TGRS Research Map | TGRS