Acrylglaskaschierungen von Fotografien

The care and conservation of face-mounted photographs The conservation of contemporary finishing techniques for photographs often requires the consideration of a variety of materials. Photographs that have been face-mounted to acrylic sheets, in particular, present new challenges. In this technique, the image surface of a photograph is adhered to a sheet of transparent acrylic with either a double-sided pressure-sensitive adhesive film or a clear silicone rubber. On the verso, the print is commonly mounted to a sturdy board of hard PVC or a polyethylene aluminum laminate. The rigidity that is thus achieved often renders the use of an exterior frame unnecessary. This may also be used as an aesthetic style. Not much is known about the conservation or restoration of these photographs, since face-mounting has only been in use in artistic applications for approximately fifteen years. Known problems with acrylic sheets are usually of physical nature. Chemical deterioration has not been thoroughly examined yet. A series of experiments is currently being designed to explore conservation treatments, packaging for transport, and the chemical and physical aging characteristics of face-mounted photographs.

Publication Details

Journal
University Library Heidelberg
Published
2025-05-26
DOI
https://doi.org/10.57908/cons.2004.2.111052
Primary Topic
Cultural Heritage Materials Analysis
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Acrylglaskaschierungen von Fotografien

University Library Heidelberg
Cultural Heritage Materials Analysis
article

Acrylglaskaschierungen von Fotografien

article en

Abstract

The care and conservation of face-mounted photographs The conservation of contemporary finishing techniques for photographs often requires the consideration of a variety of materials. Photographs that have been face-mounted to acrylic sheets, in particular, present new challenges. In this technique, the image surface of a photograph is adhered to a sheet of transparent acrylic with either a double-sided pressure-sensitive adhesive film or a clear silicone rubber. On the verso, the print is commonly mounted to a sturdy board of hard PVC or a polyethylene aluminum laminate. The rigidity that is thus achieved often renders the use of an exterior frame unnecessary. This may also be used as an aesthetic style. Not much is known about the conservation or restoration of these photographs, since face-mounting has only been in use in artistic applications for approximately fifteen years. Known problems with acrylic sheets are usually of physical nature. Chemical deterioration has not been thoroughly examined yet. A series of experiments is currently being designed to explore conservation treatments, packaging for transport, and the chemical and physical aging characteristics of face-mounted photographs.

University Library Heidelberg
Life in Land
Openalex Percentile: Top 51%
Cultural Heritage Materials Analysis
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.