THE CROSS-REGIONAL AND CROSS-BORDER AESTHETIC APPRECIATION OF THE CHINESE MUSICAL INSTRUMENT, THE ERHU

This article explores the cross regional and cross-border aesthetic phenomenon of erhu as a traditional Chinese musical instrument on a global scale. By analyzing the historical evolution of the erhu, its expression in different regional cultures, cross-border dissemination and influence, as well as its universal aesthetic value, this article reveals the unique charm and cultural significance of the erhu in the context of globalization. Research has found that the erhu not only holds an important position in traditional Chinese music, but also demonstrates strong adaptability and innovation on the world music stage, becoming a bridge connecting different cultures and ethnic groups.