ANGEL BOLIGAN'S WORK: SOCIAL CRITICISM IN THE GROTESQUE STYLE

The work of Angel Boligan is fascinating, as through the symbols and images depicted in his pieces, he illustrates the psychological and emotional separation of humanity, as well as the influence of technology and social networks on human thought. For instance, in the work The Offering and the Sheep, the stick associated with the Facebook logo and the image of sheep with their heads down express the loss of independent thinking and the intensification of manipulation. In Easter Bread, the criticism of the “like” and “status” struggles present on social networks is portrayed through people dressed in priestly attire. Another grotesque piece, Family, depicts how new technologies and social networks are separating family members. Additionally, the work The Forced Buyer critiques consumerism and the relationship between the economic factors determining the value of art.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-05-26
DOI
https://doi.org/10.5281/zenodo.15520792
Primary Topic
Art, Politics, and Modernism
Type
article
Field-Weighted Citation Impact
0.00
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article

ANGEL BOLIGAN'S WORK: SOCIAL CRITICISM IN THE GROTESQUE STYLE

Zenodo (CERN European Organization for Nuclear Research)
Art, Politics, and Modernism
article

ANGEL BOLIGAN'S WORK: SOCIAL CRITICISM IN THE GROTESQUE STYLE

article en

Abstract

The work of Angel Boligan is fascinating, as through the symbols and images depicted in his pieces, he illustrates the psychological and emotional separation of humanity, as well as the influence of technology and social networks on human thought. For instance, in the work The Offering and the Sheep, the stick associated with the Facebook logo and the image of sheep with their heads down express the loss of independent thinking and the intensification of manipulation. In Easter Bread, the criticism of the “like” and “status” struggles present on social networks is portrayed through people dressed in priestly attire. Another grotesque piece, Family, depicts how new technologies and social networks are separating family members. Additionally, the work The Forced Buyer critiques consumerism and the relationship between the economic factors determining the value of art.

Zenodo (CERN European Organization for Nuclear Research)
National Institute of Arts (CD)
Openalex Percentile: Top 53%
Art, Politics, and Modernism
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