Semi-Supervised Contrastive Learning of Musical Representations

Despite the success of contrastive learning in Music Information Retrieval, the inherent ambiguity of contrastive self-supervision presents a challenge. Relying solely on augmentation chains and self-supervised positive sampling strategies can lead to a pretraining objective that does not capture key musical information for downstream tasks. We introduce semi-supervised contrastive learning (SemiSupCon), a simple method for leveraging musically informed labeled data (supervision signals) in the contrastive learning of musical representations. Our approach introduces musically relevant supervision signals into self-supervised contrastive learning by combining supervised and self-supervised contrastive objectives in a simpler framework than previous approaches. This framework improves downstream performance and robustness to audio corruptions on a range of downstream MIR tasks with moderate amounts of labeled data. Our approach enables shaping the learned similarity metric through the choice of labeled data that (1) infuses the representations with musical domain knowledge and (2) improves out-of-domain performance with minimal general downstream performance loss. We show strong transfer learning performance on musically related yet not trivially similar tasks - such as pitch and key estimation. Additionally, our approach shows performance improvement on automatic tagging over self-supervised approaches with only 5% of available labels included in pretraining.

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2024-11-10
DOI
https://doi.org/10.5281/zenodo.14877105
Primary Topic
Mathematics, Computing, and Information Processing
Type
article
Field-Weighted Citation Impact
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article

Semi-Supervised Contrastive Learning of Musical Representations

Zenodo (CERN European Organization for Nuclear Research)
Mathematics, Computing, and Information Processing
article

Semi-Supervised Contrastive Learning of Musical Representations

article en

Abstract

Despite the success of contrastive learning in Music Information Retrieval, the inherent ambiguity of contrastive self-supervision presents a challenge. Relying solely on augmentation chains and self-supervised positive sampling strategies can lead to a pretraining objective that does not capture key musical information for downstream tasks. We introduce semi-supervised contrastive learning (SemiSupCon), a simple method for leveraging musically informed labeled data (supervision signals) in the contrastive learning of musical representations. Our approach introduces musically relevant supervision signals into self-supervised contrastive learning by combining supervised and self-supervised contrastive objectives in a simpler framework than previous approaches. This framework improves downstream performance and robustness to audio corruptions on a range of downstream MIR tasks with moderate amounts of labeled data. Our approach enables shaping the learned similarity metric through the choice of labeled data that (1) infuses the representations with musical domain knowledge and (2) improves out-of-domain performance with minimal general downstream performance loss. We show strong transfer learning performance on musically related yet not trivially similar tasks - such as pitch and key estimation. Additionally, our approach shows performance improvement on automatic tagging over self-supervised approaches with only 5% of available labels included in pretraining.

Zenodo (CERN European Organization for Nuclear Research)
Peace, Justice and strong institutions
Openalex Percentile: Top 56%
Mathematics, Computing, and Information Processing
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Semi-Supervised Contrastive Learning of Musical Representations · Zenodo (CERN European Organization for Nuclear Research) (2024) | TGRS Research Map | TGRS