Rewilding the Digital Archive: An Artistic Exploration of the Bug as a Decolonial Agent

In “Moths Dreaming of Electric Waters”, artist duo Fadi Houmani and Ster Borgam created a digital ecosystem inhabited by cyber-bugs to challenge the anthropocentric worldviews and digital technologies implicated in colonial and extractivist systems. I engaged in in-depth conversations with Houmani and Borgman and complemented these dialogues with eco-feminist, decolonial, and Indigenous epistemologies. Drawing out a theoretical frame from the artwork, I invite the bug into the digital archive as a means of rewilding. The bug embodies complementary roles: a glitch, a hybrid, and a perspective. Theorizing these roles, I draw principles that can guide the (re)construction of a decolonial digital archive: decentralization, reciprocity, fluidity, and connectivity. Rewilding the digital archive is an invitation to envision new ways of relating with nature, technology, and each other. To build a world worth preserving.

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Publication Details

Journal
University of Groningen research database (University of Groningen / Centre for Information Technology)
Published
2025-06-30
DOI
https://doi.org/10.5281/zenodo.15756679
Primary Topic
Posthumanist Ethics and Activism
Type
article
Field-Weighted Citation Impact
0.00
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article

Rewilding the Digital Archive: An Artistic Exploration of the Bug as a Decolonial Agent

University of Groningen research database (University of Groningen / Centre for Information Technology)
Posthumanist Ethics and Activism
article

Rewilding the Digital Archive: An Artistic Exploration of the Bug as a Decolonial Agent

article en

Abstract

In “Moths Dreaming of Electric Waters”, artist duo Fadi Houmani and Ster Borgam created a digital ecosystem inhabited by cyber-bugs to challenge the anthropocentric worldviews and digital technologies implicated in colonial and extractivist systems. I engaged in in-depth conversations with Houmani and Borgman and complemented these dialogues with eco-feminist, decolonial, and Indigenous epistemologies. Drawing out a theoretical frame from the artwork, I invite the bug into the digital archive as a means of rewilding. The bug embodies complementary roles: a glitch, a hybrid, and a perspective. Theorizing these roles, I draw principles that can guide the (re)construction of a decolonial digital archive: decentralization, reciprocity, fluidity, and connectivity. Rewilding the digital archive is an invitation to envision new ways of relating with nature, technology, and each other. To build a world worth preserving.

University of Groningen research database (University of Groningen / Centre for Information Technology)
University of Groningen (NL)
Openalex Percentile: Top 47%
Posthumanist Ethics and Activism
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