An Analysis of Baul Lalon Shah's Songs of Humanity through the Device of Communication Theory

This research employs the rhetorical theory of method to conduct a detailed analysis of Baul Lalon Shah's songs, focusing on their rhetorical and humanist dimensions. The study bridges intradisciplinary fields, such as rhetorical criticism and literary analysis, and interdisciplinary fields, including cultural studies, philosophy, and religious studies. By integrating these disciplines, the research examines how Lalon's mystic songs challenge societal norms, particularly regarding caste discrimination and human equality, offering broader implications for the humanities and social sciences. The data collection method involves qualitative analysis of Lalon's songs, with attention given to his rhetorical strategies such as ethos, pathos, logos, and metaphors. Rhetorical criticisms, including Neo-Aristotelian, will comprehensively critique Lalon's messages. The Neo-Aristotelian method will follow four structured steps: selecting Lalon's songs, studying their content, determining the study focus, and writing the final analysis. The interdisciplinary and intradisciplinary exploration of Lalon's philosophical rhetoric will contribute to a deeper understanding of cultural globalization, spiritual philosophy, and rhetorical methodologies, offering significant insights into both rhetorical theory and cultural studies.