Impressionism in Painting and Music (c.1875–1910)

This article explores the Impressionist movement in Western art during the late 19th and early 20th centuries, focusing on the transformation of visual and musical expression. Through the works of Claude Monet and Claude Debussy, the article examines how the artists conveyed fleeting impressions of light, atmosphere, and natural moods, emphasizing emotional resonance over formal structure. This interdisciplinary approach highlights the parallel evolution of Impressionism in painting and music as reflective of broader cultural and perceptual shifts.

Institutions

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-07-20
DOI
https://doi.org/10.5281/zenodo.16196891
Primary Topic
Neural and Behavioral Psychology Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Impressionism in Painting and Music (c.1875–1910)

Zenodo (CERN European Organization for Nuclear Research)
Neural and Behavioral Psychology Studies
article

Impressionism in Painting and Music (c.1875–1910)

article en

Abstract

This article explores the Impressionist movement in Western art during the late 19th and early 20th centuries, focusing on the transformation of visual and musical expression. Through the works of Claude Monet and Claude Debussy, the article examines how the artists conveyed fleeting impressions of light, atmosphere, and natural moods, emphasizing emotional resonance over formal structure. This interdisciplinary approach highlights the parallel evolution of Impressionism in painting and music as reflective of broader cultural and perceptual shifts.

Zenodo (CERN European Organization for Nuclear Research)
University of the Visual & Performing Arts (LK)
Openalex Percentile: Top 51%
Neural and Behavioral Psychology Studies
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Impressionism in Painting and Music (c.1875–1910) · Zenodo (CERN European Organization for Nuclear Research) (2025) | TGRS Research Map | TGRS