Dramaturgical Analysis in Terror Propaganda in Cyberspace

Terrorists have utilized cyberspace to further their agendas, particularly in the expansion and dissemination of propaganda. Within this digital realm, terror actors orchestrate various processes of reconstruction and manipulate facts and reality. By applying Erving Goffman’s dramaturgical theory, terrorism is conceptualized as a stage play where social interactions are performed roles in a drama. This research examines how terrorist groups strategically design and present their propaganda as "performances" on social media and online forums, employing dramaturgical elements such as stages, roles, and audiences to enhance the effectiveness of their messaging. The study highlights the dramaturgical techniques employed in normalizing violence, leveraging symbolism, and fostering communities with shared ideologies. Insights from this research contribute to more effective counter-propaganda strategies that address the manipulative narratives propagated by terrorist groups in the digital era.