Kandinsky and Mishra's Synesthetic Approach in Portraying Music: A Comparative Analysis

The theoretical framework of this research delves into the complex and multifaceted relationship between music and painting, particularly in the context of synesthetic experiences. The confluence of music and painting has given rise to thought-provoking theories and discussions about the interconnectedness of these two artistic realms. This article aims to provide a conceptual framework for understanding paintings of music. The article addresses the commonalities and differences in the creative techniques and visual interpretations of Wassily Kandinsky and Sushil Mishra's portrayal of Western and Indian Classical music. Through the comparative analysis of Kandinsky and Mishra's approaches to depicting music in their art, it becomes evident that the intersection between music and painting can lead to a diverse spectrum of emotional and sensory experiences, engaging the readers in a profound connection to the art forms. The study suggests that these experiences are both for the creators and the audience, making the research more relatable.

Institutions

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2024-09-01
DOI
https://doi.org/10.5281/zenodo.14177973
Primary Topic
Aesthetic Perception and Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

Kandinsky and Mishra's Synesthetic Approach in Portraying Music: A Comparative Analysis

Zenodo (CERN European Organization for Nuclear Research)
Aesthetic Perception and Analysis
article

Kandinsky and Mishra's Synesthetic Approach in Portraying Music: A Comparative Analysis

article en

Abstract

The theoretical framework of this research delves into the complex and multifaceted relationship between music and painting, particularly in the context of synesthetic experiences. The confluence of music and painting has given rise to thought-provoking theories and discussions about the interconnectedness of these two artistic realms. This article aims to provide a conceptual framework for understanding paintings of music. The article addresses the commonalities and differences in the creative techniques and visual interpretations of Wassily Kandinsky and Sushil Mishra's portrayal of Western and Indian Classical music. Through the comparative analysis of Kandinsky and Mishra's approaches to depicting music in their art, it becomes evident that the intersection between music and painting can lead to a diverse spectrum of emotional and sensory experiences, engaging the readers in a profound connection to the art forms. The study suggests that these experiences are both for the creators and the audience, making the research more relatable.

Zenodo (CERN European Organization for Nuclear Research)
University of Hyderabad (IN)
Openalex Percentile: Top 59%
Aesthetic Perception and Analysis
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