DECONSTRUCTING DISRUPTED IDENTITIES: A POSTMODERN ANALYSIS OF AFRICAN-AMERICAN WOMEN IN TONI MORRISON'S A MERCY

A B S T R A C T Using a postmodern framework, especially Jacques Derrida’s theory of deconstruction, this research explores the disrupted identities of African-American women in Toni Morrison’s A Mercy (2008). The study examines the complex, fluid nature of identity as portrayed in Morrison’s novel. It examines the role of postmodern literary techniques, including non-linear storytelling and fragmented perspectives, in depicting fragmented identities. Within the socio-historical context of 17th century American, the study inspects the intersectionality of race, gender and identity. The research analyzes key themes, such as the impact of historical and cultural contexts, the role of memory and trauma and the ethical and moral uncertainties faced by the characters to reveal the intricacies of identity construction and deconstruction. The study, through its findings, challenges traditional beliefs of fixed and stable identities by proposing a detailed analysis of the experiences of the characters. It enriches the overall discourse on intersectionality, identity and social justice. This research contributes to a deeper appreciation of Morrison’s work and offers critical understanding of the postmodern analysis of African-American women’s identities in literature.