CONCENTRATION OF SPACE IN THE "THRESHOLD" TOPOS IN L. PETRUSHEVSKAYA'S ONE-ACT PLAYS (ON THE EXAMPLE OF THE PLAY "MOSCOW CHOIR")

The article examines the phenomenon of concentration of space in the "threshold" topos of Lyudmila Petrushevskaya's one-act plays using the play "Moscow Choir" as an example. It analyzes how closed and limited space becomes a symbolic threshold between different states: life and death, past and present, reality and absurdity.

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2024-10-13
DOI
https://doi.org/10.5281/zenodo.13924664
Primary Topic
Pain Management and Opioid Use
Type
article
Field-Weighted Citation Impact
0.00
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article

CONCENTRATION OF SPACE IN THE "THRESHOLD" TOPOS IN L. PETRUSHEVSKAYA'S ONE-ACT PLAYS (ON THE EXAMPLE OF THE PLAY "MOSCOW CHOIR")

Zenodo (CERN European Organization for Nuclear Research)
Pain Management and Opioid Use
article

CONCENTRATION OF SPACE IN THE "THRESHOLD" TOPOS IN L. PETRUSHEVSKAYA'S ONE-ACT PLAYS (ON THE EXAMPLE OF THE PLAY "MOSCOW CHOIR")

article en

Abstract

The article examines the phenomenon of concentration of space in the "threshold" topos of Lyudmila Petrushevskaya's one-act plays using the play "Moscow Choir" as an example. It analyzes how closed and limited space becomes a symbolic threshold between different states: life and death, past and present, reality and absurdity.

Zenodo (CERN European Organization for Nuclear Research)
Reduced inequalities
Openalex Percentile: Top 45%
Pain Management and Opioid Use
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CONCENTRATION OF SPACE IN THE "THRESHOLD" TOPOS IN L. PETRUSHEVSKAYA'S ONE-ACT PLAYS (ON THE EXAMPLE OF THE PLAY "MOSCOW CHOIR") · Zenodo (CERN European Organization for Nuclear Research) (2024) | TGRS Research Map | TGRS