CONCENTRATION OF SPACE IN THE "THRESHOLD" TOPOS IN L. PETRUSHEVSKAYA'S ONE-ACT PLAYS (ON THE EXAMPLE OF THE PLAY "MOSCOW CHOIR")
The article examines the phenomenon of concentration of space in the "threshold" topos of Lyudmila Petrushevskaya's one-act plays using the play "Moscow Choir" as an example. It analyzes how closed and limited space becomes a symbolic threshold between different states: life and death, past and present, reality and absurdity.
Publication Details
- Journal
- Zenodo (CERN European Organization for Nuclear Research)
- Published
- 2024-10-13
- DOI
- https://doi.org/10.5281/zenodo.13924664
- Primary Topic
- Pain Management and Opioid Use
- Type
- article
- Field-Weighted Citation Impact
- 0.00