TIME AND MOVEMENT: THE CONCEPT OF TIME IN ANIMATION

This article analyzes the philosophical views of Aristotle and Henri Bergson on time and their manifestation in animation. Aristotle considered time as a phenomenon associated with movement, while Bergson explained it through internal perception and the flow of consciousness. It examines how time management, motion creation, and visual expression in animation relate to these philosophical concepts. The article also examines the possibilities of time manipulation in animation, as well as its aesthetic and semantic aspects.