A Study of the Reflection of Qur'anic Verses in Mihrab Carpets of the Safavid Period

Among the significant decorative elements in Safavid carpets-representing a fusion of Islamic art and culture-is the use of inscriptions containing Qur’anic verses, poetry, or supplications. Mihrab-design carpets, in particular, were commonly adorned with Qur’anic inscriptions and functioned as prayer rugs. In such cases, Qur’anic verses were not merely ornamental but conveyed religious meaning. This article examines how Islamic concepts—especially the content of Āyat al-Kursī-are manifested in the inscriptions of two selected mihrab carpets from the Safavid period. It aims to explore the relationship between the Qur’anic content of the inscriptions and the arabesque motifs and mihrab designs. The study addresses two main questions: What are the formal and semantic features of the woven inscriptions in these carpet bands? And how do the inscriptions relate to the visual motifs and designs? Relying on library sources and image analysis, and using a historical-descriptive method, the research finds that the content of the inscriptions-such as specific verses and dhikr formulas-functions in harmony with the architectural and floral elements of the mihrab-shaped carpets. This confluence of sacred text and design showcases the unity of Islamic art and faith, turning the carpets into a manifestation of Qur’anic meaning.

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Publication Details

Journal
SHILAP Revista de lepidopterología
Published
2025-05-01
DOI
https://doi.org/10.22034/jksl.2025.489548.1412
Primary Topic
Ethics and Social Impacts of AI
Type
article
Field-Weighted Citation Impact
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article

A Study of the Reflection of Qur'anic Verses in Mihrab Carpets of the Safavid Period

SHILAP Revista de lepidopterología
Ethics and Social Impacts of AI
article

A Study of the Reflection of Qur'anic Verses in Mihrab Carpets of the Safavid Period

article en

Abstract

Among the significant decorative elements in Safavid carpets-representing a fusion of Islamic art and culture-is the use of inscriptions containing Qur’anic verses, poetry, or supplications. Mihrab-design carpets, in particular, were commonly adorned with Qur’anic inscriptions and functioned as prayer rugs. In such cases, Qur’anic verses were not merely ornamental but conveyed religious meaning. This article examines how Islamic concepts—especially the content of Āyat al-Kursī-are manifested in the inscriptions of two selected mihrab carpets from the Safavid period. It aims to explore the relationship between the Qur’anic content of the inscriptions and the arabesque motifs and mihrab designs. The study addresses two main questions: What are the formal and semantic features of the woven inscriptions in these carpet bands? And how do the inscriptions relate to the visual motifs and designs? Relying on library sources and image analysis, and using a historical-descriptive method, the research finds that the content of the inscriptions-such as specific verses and dhikr formulas-functions in harmony with the architectural and floral elements of the mihrab-shaped carpets. This confluence of sacred text and design showcases the unity of Islamic art and faith, turning the carpets into a manifestation of Qur’anic meaning.

SHILAP Revista de lepidopterología
Tehran University of Art (IR), Alzahra University (IR)
Openalex Percentile: Top 52%
Ethics and Social Impacts of AI
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