Voicing the mask : composing with found materials and digitally manipulated vocals in contemporary opera

This is a practice-based research project centred around the creation of a new opera, The Shadow Queen, which I composed in collaboration with the playwright Marek Horn. The score for that piece, three related pieces, and a commentary, explore the compositional application of found materials and digitally manipulated vocals, making a toolbox of dramaturgical strategies for the contemporary opera composer. The opera in this submission was specifically composed with found materials that, in their original form, contain lyrics. To generate intertextual depth, this opera exploits the observed phenomenon of ‘binding’, when the lyrics of a known melody are remembered by the listener despite not being voiced. Although many opera composers have previously exploited techniques that relate to binding, this is the first time a composer has undertaken a conscious and structured exploration of the technique through an entire chamber opera. This research project also provides a conceptual framework for composers to incorporate new technological elements into contemporary opera, not just as a method for practical application, but also as an approach to composition that results in those technological elements being imbued with dramaturgical purpose. Composing with found materials and digital vocal manipulation are both analysed in isolated contexts and techniques, and also combined to highlight their cumulative potential. A workshop performance and recording of The Shadow Queen provides the main setting for this analysis.