Oswald von Wolkenstein, Lied Kl 18: Liebe als Passion — Eine Symptomatik

OSWALD VON WOLKENSTEIN, SONG 18: SYMPTOMS OF LOVE AS PASSION. The song (‘Lied’) Es fúgt sich is probably the most discussed text of Oswald von Wolkenstein. Mostly the focus has been on the abundant autobiographical information which is presented by the author. Instead the following article concentrates on the topics of love and passion which are exhaustively listed in the song according to the European tradition of love poetry. The poet depicts himself as addicted to a young woman whose name is not mentioned, and he imagines that a suitable marriage with a noble lady could be a solution for his problems. But he is afraid of a bickering wife and crying children, and he puts his only hope in the grace of God. Nevertheless at the same time he was indeed wooing a noble lady and wrote passionate songs for her. It is not biographical reality which is depicted in these songs, but they are subject to their genre, i.e. the tradition of a religious summary of life in one case, the tradition of love poetry in the other one. Oswald’s description of a yelling wife and children seems to have been so impressive to his audience that he used the topic later in two more songs, complaining his political problems and asking for support.

Publication Details

Journal
SHILAP Revista de lepidopterología
Published
2024-09-01
DOI
https://doi.org/10.14672/fg.v3i.2622
Primary Topic
Historical, Literary, and Cultural Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Oswald von Wolkenstein, Lied Kl 18: Liebe als Passion — Eine Symptomatik

SHILAP Revista de lepidopterología
Historical, Literary, and Cultural Studies
article

Oswald von Wolkenstein, Lied Kl 18: Liebe als Passion — Eine Symptomatik

article en

Abstract

OSWALD VON WOLKENSTEIN, SONG 18: SYMPTOMS OF LOVE AS PASSION. The song (‘Lied’) Es fúgt sich is probably the most discussed text of Oswald von Wolkenstein. Mostly the focus has been on the abundant autobiographical information which is presented by the author. Instead the following article concentrates on the topics of love and passion which are exhaustively listed in the song according to the European tradition of love poetry. The poet depicts himself as addicted to a young woman whose name is not mentioned, and he imagines that a suitable marriage with a noble lady could be a solution for his problems. But he is afraid of a bickering wife and crying children, and he puts his only hope in the grace of God. Nevertheless at the same time he was indeed wooing a noble lady and wrote passionate songs for her. It is not biographical reality which is depicted in these songs, but they are subject to their genre, i.e. the tradition of a religious summary of life in one case, the tradition of love poetry in the other one. Oswald’s description of a yelling wife and children seems to have been so impressive to his audience that he used the topic later in two more songs, complaining his political problems and asking for support.

SHILAP Revista de lepidopterología
Gender equality
Openalex Percentile: Top 38%
Historical, Literary, and Cultural Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Oswald von Wolkenstein, Lied Kl 18: Liebe als Passion — Eine Symptomatik · SHILAP Revista de lepidopterología (2024) | TGRS Research Map | TGRS