Nad vybranými úskalími překladu Haškova Švejka

An adequate artistic translation of the world-famous Hašek´s novel „The Fateful Adventures of the Good Soldier Švejk During the World War“ is exceedingly difficult. Although we start from the position of translatability, it is necessary to point out a lot of problems and challenges which can be resolved only with extreme difficulties. Let us remind of Hašek´s comic relief, expressivity, period allusions and reality, functional alternation of colloquial and literary language, many slang expressions and other phenomena like stammering, mutilated Czech and some hard to translate grammar forms (for exapmle addressing an individual in plural). This article focuses above all on the traslation of passages written in foreign languages. In this respect, the novel offers a wide range of examples in Latin, Hungarian, Polish, Russian and Serbo-Croatian (even in their deformed form). When handling passages written in foreign languages, a translator should bear in mind the author’s communication purposes (for example,evoking an atmosphere of a foreign milieu or a comic situation), at the same time ensuring that they are understandable to a reader. In general, it is recommended to translate passages important from a semantic point of view and reduce their strangeness merely to the form of an indication (for example, adding “He said in Turkish“ after direct speech). The article analyses and comments on four methods of translation as proposed by A. V. Tchirikov.

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Publication Details

Journal
Slavia Occidentalis
Published
2024-12-31
DOI
https://doi.org/10.14746/so.2024.81.5
Primary Topic
Discourse Analysis and Cultural Communication
Type
article
Field-Weighted Citation Impact
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article

Nad vybranými úskalími překladu Haškova Švejka

Slavia Occidentalis
Discourse Analysis and Cultural Communication
article

Nad vybranými úskalími překladu Haškova Švejka

article en

Abstract

An adequate artistic translation of the world-famous Hašek´s novel „The Fateful Adventures of the Good Soldier Švejk During the World War“ is exceedingly difficult. Although we start from the position of translatability, it is necessary to point out a lot of problems and challenges which can be resolved only with extreme difficulties. Let us remind of Hašek´s comic relief, expressivity, period allusions and reality, functional alternation of colloquial and literary language, many slang expressions and other phenomena like stammering, mutilated Czech and some hard to translate grammar forms (for exapmle addressing an individual in plural). This article focuses above all on the traslation of passages written in foreign languages. In this respect, the novel offers a wide range of examples in Latin, Hungarian, Polish, Russian and Serbo-Croatian (even in their deformed form). When handling passages written in foreign languages, a translator should bear in mind the author’s communication purposes (for example,evoking an atmosphere of a foreign milieu or a comic situation), at the same time ensuring that they are understandable to a reader. In general, it is recommended to translate passages important from a semantic point of view and reduce their strangeness merely to the form of an indication (for example, adding “He said in Turkish“ after direct speech). The article analyses and comments on four methods of translation as proposed by A. V. Tchirikov.

Slavia Occidentalis(81)
Institut Pro Studium Literatury (CZ)
Quality Education
Openalex Percentile: Top 37%
Discourse Analysis and Cultural Communication
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Nad vybranými úskalími překladu Haškova Švejka · Slavia Occidentalis (2024) | TGRS Research Map | TGRS