Edward Ravenscroft, Amanti spensierati [The Careless Lovers]. Edited by Alba Graziano, Fabio Ciambella, Bianca Del Villano, Iolanda Plescia, Valentina Rossi, and Rossana Sebellin

This review presents the first Italian translation of a relatively obscure Restoration play, Edward Ravenscroft’s The Careless Lovers (1673). The peculiarity of the translation is that it is a collaborative effort by the editors, and the distinctive quality of the book is that the six translators involved (Alba Graziano, Fabio Ciambella, Bianca Del Villano, Iolanda Plescia, Valentina Rossi and Rossana Sebellin) also feature as the authors of six scholarly essays on various aspects of Restoration drama, Ravenscroft’s art, Theatre Translation and Collaborative Translation. Strikingly consistent in its translating style, complete with notes to the bilingual text, this edition amounts to a very good introduction to Restoration farce, and makes the academic reader wish for more publications in the same mould. KEYWORDS: Edward Ravenscroft; Italian translation; Restoration theatre; farce; theatre translation; collaborative translation

Publication Details

Journal
Università degli Studi di Verona
Published
2025-06-28
DOI
https://doi.org/10.13136/7w84g406
Primary Topic
Educational Robotics and Engineering
Type
article
Field-Weighted Citation Impact
0.00
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article

Edward Ravenscroft, Amanti spensierati [The Careless Lovers]. Edited by Alba Graziano, Fabio Ciambella, Bianca Del Villano, Iolanda Plescia, Valentina Rossi, and Rossana Sebellin

Università degli Studi di Verona
Educational Robotics and Engineering
article

Edward Ravenscroft, Amanti spensierati [The Careless Lovers]. Edited by Alba Graziano, Fabio Ciambella, Bianca Del Villano, Iolanda Plescia, Valentina Rossi, and Rossana Sebellin

article en

Abstract

This review presents the first Italian translation of a relatively obscure Restoration play, Edward Ravenscroft’s The Careless Lovers (1673). The peculiarity of the translation is that it is a collaborative effort by the editors, and the distinctive quality of the book is that the six translators involved (Alba Graziano, Fabio Ciambella, Bianca Del Villano, Iolanda Plescia, Valentina Rossi and Rossana Sebellin) also feature as the authors of six scholarly essays on various aspects of Restoration drama, Ravenscroft’s art, Theatre Translation and Collaborative Translation. Strikingly consistent in its translating style, complete with notes to the bilingual text, this edition amounts to a very good introduction to Restoration farce, and makes the academic reader wish for more publications in the same mould. KEYWORDS: Edward Ravenscroft; Italian translation; Restoration theatre; farce; theatre translation; collaborative translation

Università degli Studi di Verona
Openalex Percentile: Top 76%
Educational Robotics and Engineering
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