TRANSLATING SHAKESPEARE'S CONCEPTOSPHERE AND IDIOLECT: AN ANALYSIS FROM THE PERSPECTIVE OF GLOBAL TRANSLATION CHALLENGES

This article explores the global challenges of translating William Shakespeare’s idiolect and conceptosphere into diverse languages, including Uzbek, Russian, and English. Through examples from Hamlet, Romeo and Juliet, As You Like It, and Macbeth, it examines issues of semantic equivalence, cultural transposition, and stylistic fidelity. The study highlights the intricate balance between linguistic artistry and cultural context in translation and discusses the potential for preserving Shakespeare’s universal legacy within a modern global framework.