STRUCTURE OF DIALOGIC FORM IN PROSE OF RUSSIAN ROMANTICS

Abstract The dialogical form contributed to the preservation of intrigue, organized successive mise-en-scenes and preserved the magnetism of a romantic atmosphere full of attributes of mysticism and Gothic aesthetics. The dramatization of the dialogue also affected the fact that it received thematic multivariability, and the artistic conflict was revealed in the process of dialogues of the characters. In the form of a dialogue, the characterological features of the characters are detailed, it determines the vicissitudes of the relationships of the characters within the framework of the main conflict of the work. The narrative description in this case only records the events and actions of the heroes. Each remark contains an addition of initial information about the events presented, and thereby the movement of intrigue as a whole is carried out. The narrative was characterized by the complication of the functions of the dialogical form, which, in addition to illustrativeness, included participation in the development of the plot, the compositional structure of the text, the plot and conflict resolution, and also reflected the characteristics of the characters, revealed their personal qualities and behavioral motives. The dialogization of the literary context retains an ironic orientation when the author wants to talk with his imaginary reader, while the literary story itself turns into a kind of variation on the topic of description in the spirit of romantic poetics. The dialogical form is introduced into the structure of the author's narrative itself, creating an artistic narrative that develops according to the stage principle.