Spazio, corpo e percezione. Il disegno come strumento di rappresentazione e analisi dell'immisurabile in architettura

Paper presented at the 3rd symposium IDEA “Drawing as a Tool to Investigate, Communicate, and Express Emotions”. Genoa: May 23, 2025.Architecture provides a unique perspective in the study of human emotions through the representation of the invisible and immeasurable interplay of space, body, and perception. Architectural drawings serve a dual purpose: they convey the multisensory complexity of our spatial experiences — encompassing smells, sounds, temperatures, tactile sensations, and sensorimotor affordances — and simulate the anticipated atmosphere of a building. This paper explores how space and the body shape perception, delves into the multidimensional nature of affective processes (distinguishing between emotions, feelings, and moods), presents first-person techniques for expressing subjective emotional states, reviews architectural drawing projects that engage with affective, situated experiences, and emphasizes the critical role of architectural expertise in designing affect-based stimuli specifically tailored for spatial analysis to advance emotion research.

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Publication Details

Journal
CINECA IRIS Institutial Research Information System (University of Genoa)
Published
2025-05-23
DOI
https://doi.org/10.5281/zenodo.15738234
Primary Topic
Psychiatry, Mental Health, Neuroscience
Type
article
Field-Weighted Citation Impact
0.00
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article

Spazio, corpo e percezione. Il disegno come strumento di rappresentazione e analisi dell'immisurabile in architettura

CINECA IRIS Institutial Research Information System (University of Genoa)
Psychiatry, Mental Health, Neuroscience
article

Spazio, corpo e percezione. Il disegno come strumento di rappresentazione e analisi dell'immisurabile in architettura

article en

Abstract

Paper presented at the 3rd symposium IDEA “Drawing as a Tool to Investigate, Communicate, and Express Emotions”. Genoa: May 23, 2025.Architecture provides a unique perspective in the study of human emotions through the representation of the invisible and immeasurable interplay of space, body, and perception. Architectural drawings serve a dual purpose: they convey the multisensory complexity of our spatial experiences — encompassing smells, sounds, temperatures, tactile sensations, and sensorimotor affordances — and simulate the anticipated atmosphere of a building. This paper explores how space and the body shape perception, delves into the multidimensional nature of affective processes (distinguishing between emotions, feelings, and moods), presents first-person techniques for expressing subjective emotional states, reviews architectural drawing projects that engage with affective, situated experiences, and emphasizes the critical role of architectural expertise in designing affect-based stimuli specifically tailored for spatial analysis to advance emotion research.

CINECA IRIS Institutial Research Information System (University of Genoa)
University of Genoa (IT)
Sustainable cities and communities
Openalex Percentile: Top 76%
Psychiatry, Mental Health, Neuroscience
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