From Drama to Game-Based Television: Re-mystifying 'God' in The Gods Are Not to Blame and Big Brother Naija"

Abstract This paper presents a cross-disciplinary discourse of the concept and functionality of 'god' from drama and theatre to game-based television shows. Despite attempts by some Western philosophical traditions to dismiss the presence of the divine in human affairs, the idea of 'god' remains central to contemporary entertainment culture. A variety of television entertainment programmes like drama, soap operas, season serial dramas, sports, and game-based television shows have continued to redesign and present ‘god’ in various forms. Using the ‘Big Brother Naija’ reality TV show and Ola Rotimi's The Gods Are Not to Blame (henceforth BBN and The Gods), this paper examines how god-like figures are re-imagined through different media. Through discourse analyses of The Gods and 'Big Brother Naija', the characteristics of a re-mystified god in drama and game-based TV shows in Nigeria are examined. It is concluded that the idea of ‘god’ will continue to be represented in different artistic genres for contemporary audience, particularly through technological Innovations in media content productions. Keywords: Game/reality TV, Drama, Television, God, Technology

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-03-11
DOI
https://doi.org/10.5281/zenodo.15004134
Primary Topic
Literary Theory and Cultural Hermeneutics
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

From Drama to Game-Based Television: Re-mystifying 'God' in The Gods Are Not to Blame and Big Brother Naija"

Zenodo (CERN European Organization for Nuclear Research)
Literary Theory and Cultural Hermeneutics
article

From Drama to Game-Based Television: Re-mystifying 'God' in The Gods Are Not to Blame and Big Brother Naija"

article en

Abstract

Abstract This paper presents a cross-disciplinary discourse of the concept and functionality of 'god' from drama and theatre to game-based television shows. Despite attempts by some Western philosophical traditions to dismiss the presence of the divine in human affairs, the idea of 'god' remains central to contemporary entertainment culture. A variety of television entertainment programmes like drama, soap operas, season serial dramas, sports, and game-based television shows have continued to redesign and present ‘god’ in various forms. Using the ‘Big Brother Naija’ reality TV show and Ola Rotimi's The Gods Are Not to Blame (henceforth BBN and The Gods), this paper examines how god-like figures are re-imagined through different media. Through discourse analyses of The Gods and 'Big Brother Naija', the characteristics of a re-mystified god in drama and game-based TV shows in Nigeria are examined. It is concluded that the idea of ‘god’ will continue to be represented in different artistic genres for contemporary audience, particularly through technological Innovations in media content productions. Keywords: Game/reality TV, Drama, Television, God, Technology

Zenodo (CERN European Organization for Nuclear Research)
Openalex Percentile: Top 55%
Literary Theory and Cultural Hermeneutics
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

From Drama to Game-Based Television: Re-mystifying 'God' in The Gods Are Not to Blame and Big Brother Naija" · Zenodo (CERN European Organization for Nuclear Research) (2025) | TGRS Research Map | TGRS