Figural Representations in Huang Gongwang's Dwelling in the Fuchun Mountains: Visual and Symbolic Perspectives

This study delves into the figures portrayed in Huang Gongwang's Dwelling in the Fuchun Mountains, exploring their artistic and symbolic significance. Employing visual analysis as the primary research method, it examines the interaction between these figures and the surrounding landscape, as well as the potential philosophical connotations conveyed by their presence. Through cultural semiotics, these figures are interpreted as symbols of literati's seclusion and transcendence ideals, reflecting Huang Gongwang's personal life experiences. The paper concludes that the figures in the painting transcend their individual identities, embodying the collective concept of literati artists and their relationship with nature, thus facilitating a deeper understanding of the cultural and philosophical dimensions embedded in this art masterpiece.

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-06-24
DOI
https://doi.org/10.5281/zenodo.15732257
Primary Topic
Landscape and Cultural Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Figural Representations in Huang Gongwang's Dwelling in the Fuchun Mountains: Visual and Symbolic Perspectives

Zenodo (CERN European Organization for Nuclear Research)
Landscape and Cultural Studies
article

Figural Representations in Huang Gongwang's Dwelling in the Fuchun Mountains: Visual and Symbolic Perspectives

article en

Abstract

This study delves into the figures portrayed in Huang Gongwang's Dwelling in the Fuchun Mountains, exploring their artistic and symbolic significance. Employing visual analysis as the primary research method, it examines the interaction between these figures and the surrounding landscape, as well as the potential philosophical connotations conveyed by their presence. Through cultural semiotics, these figures are interpreted as symbols of literati's seclusion and transcendence ideals, reflecting Huang Gongwang's personal life experiences. The paper concludes that the figures in the painting transcend their individual identities, embodying the collective concept of literati artists and their relationship with nature, thus facilitating a deeper understanding of the cultural and philosophical dimensions embedded in this art masterpiece.

Zenodo (CERN European Organization for Nuclear Research)
Quality Education
Openalex Percentile: Top 55%
Landscape and Cultural Studies
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