THE PSYCHOTECHNIQUE OF THE OPERA SINGER

The article examines the specific aspects of the psycho-techique of opera singer-actors. It is pointed out that mastering the professional habits of stage creativity is necessary for the work of the opera performer to be easier and more complete due to the large number of components that should be under control simultaneously. Following all the lines of the role during performance can become a more natural process if the corresponding reflexes are acquired and consciously strengthened over a long period. Creating specialized psychophysical training is justified, and principles and goals are indicated.