CONCENTRATION OF SPACE IN THE "THRESHOLD" TOPOS IN L. PETRUSHEVSKAYA'S ONE-ACT PLAYS (ON THE EXAMPLE OF THE PLAY "MOSCOW CHOIR")

The article examines the phenomenon of concentration of space in the "threshold" topos of Lyudmila Petrushevskaya's one-act plays using the play "Moscow Choir" as an example. It analyzes how closed and limited space becomes a symbolic threshold between different states: life and death, past and present, reality and absurdity.

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2024-10-13
DOI
https://doi.org/10.5281/zenodo.13924665
Primary Topic
Vladimir Nabokov Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

CONCENTRATION OF SPACE IN THE "THRESHOLD" TOPOS IN L. PETRUSHEVSKAYA'S ONE-ACT PLAYS (ON THE EXAMPLE OF THE PLAY "MOSCOW CHOIR")

Zenodo (CERN European Organization for Nuclear Research)
Vladimir Nabokov Literary Studies
article

CONCENTRATION OF SPACE IN THE "THRESHOLD" TOPOS IN L. PETRUSHEVSKAYA'S ONE-ACT PLAYS (ON THE EXAMPLE OF THE PLAY "MOSCOW CHOIR")

article en

Abstract

The article examines the phenomenon of concentration of space in the "threshold" topos of Lyudmila Petrushevskaya's one-act plays using the play "Moscow Choir" as an example. It analyzes how closed and limited space becomes a symbolic threshold between different states: life and death, past and present, reality and absurdity.

Zenodo (CERN European Organization for Nuclear Research)
Openalex Percentile: Top 40%
Vladimir Nabokov Literary Studies
DOIOpen Access PDFOpenAlex
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CONCENTRATION OF SPACE IN THE "THRESHOLD" TOPOS IN L. PETRUSHEVSKAYA'S ONE-ACT PLAYS (ON THE EXAMPLE OF THE PLAY "MOSCOW CHOIR") · Zenodo (CERN European Organization for Nuclear Research) (2024) | TGRS Research Map | TGRS